Yellow flowers on the fireplace and yellow flowers on the carpet. In the lovely, light flooded Rukmapura Park Hotel in Maharishi Vedic City, in Iowa, sits the master of darkness: Mr. David Lynch. In his movies he often portrays the human fear with his bizarre paintbrush. Now he offers a solution for them, a path to eternal bliss: Transcendental Meditation. When he speaks, his hands play a rapid air-piano until they glide in a decrescendo to his knees and he looks at you with playful eyes.
Mr. Lynch, you are currently receiving a Pancha Karma here in
Maharishi Vedic City, in Iowa, an Ayuvedic treatment of hot oils and
an organic diet. How do you feel?
It is really fantastic. I was talking to someone, who said one day
the earth will be polluted, the air will be polluted, the water will
be polluted and then Pancha Karma will be a necessity, not a luxury.
I will be finished this afternoon and go back to work tomorrow,
hopefully a little cleaner than before.
You have spent a weekend at the Maharishi University talking to
students about Vedic sciences and transcendental meditation (TM).
What led you into this spiritual world?
I have been meditating for 32 years. When I began, I was a student
at the American Film Institute in Los Angeles. I felt the first year
was a total waste. I even quit. The first day of the second year I
quit. The Dean of the school said: If David Lynch is upset, we must
be doing something wrong. He called me back and asked: What do you
wanna do? I wanted to do Eraserhead. He said: Do Eraserhead.
Everything turned around at that one moment. I had a set up like you
can’t believe. I got control of this stable at the bottom of a
mansion. It had a greenhouse, a garden shell, garages, a hayloft, a
maid’s quarter…
…all this as your film studio?
Yes. Plus I had a Volkswagen with a 4 by 8 roof rack on it. I loaded
up maybe 5 trips of equipment, two 35 mm cameras, cables, lights. I
had everything I thought I ever wanted. And one day I was leaning on
the table thinking I should be the happiest person in the world and
I realized that there was mostly this emptiness in me.
I had heard this phrase: True happiness is not out there. True
happiness is within.
And I thought that must be true and meditation must be the way to go
within. Very quickly after my sister called and said, she had
started TM. And I thought that’s what I want.
And you began to meditate daily?
I heard an introductory lecture at a TM center. And I just knew, I
was in the place, where I wanted to learn. Yet I didn’t know what I
was going to learn. That’s the tricky thing. Because you don’t know.
And there are doubts. And there are people saying this and saying
that. But something gets you down there. Then you meet your teacher.
He asks a few questions and says: Ok David, Saturday morning you
come down here and I’ll teach you transcendental meditation. So this
Saturday morning I go at about 10:30 in the morning. And I am
taught. I get my mantra. A very specific sound, a Sanskrit word, a
vibration, a thought. I’m taken to a quiet little room and told to
sit comfortably, close my eyes and start this mantra inside, repeat
the sound inside. And uhuhuh, you just go, down and out you dive, it
is like a slippery slope to totality. The word ‘unique’ should be
saved for that experience. You don’t have that in life. And if you
do have it, it comes up by accident and you can’t repeat it. But
with this technique every day you dive within, you transcend, twice,
in the morning and in the evening for twenty minutes, through
several levels of mind into the mind, it is an emotion of pure
consciousness, of pure bliss.
How did it change your life?
Two weeks later my wife comes and says: What’s going on? I was quiet
for a moment. Finally I asked: What do you mean? She said: This
anger where did it go? Because I was taking it all out on her. It
had just lifted. And that’s a very real thing. That is a very real
thing. The anger was there and it just lifted away. The same way
with depression and sorrow. And this fear, fear, fear…
…fear of what?
The fear of the unknown that’s running through the world and
manifests in all different ways. How is it all gonna fall? And
you’re right in the middle of it and you don’t know and you blame
other people for something that is really just you. The anxieties.
They start lifting away. You become calm. It’s like going to the
treasury every day. You go and just fill up those pockets, the
energy for the day. It’s like money in the bank.
Have you ever tried any other forms of meditation?
Oh, I am not an expert, but I think the goal of all serious
meditation is enlightenment. The word transcend is my key to
meditation, the connection to this unified field. If you’re going to
meditate get one that really takes you to the goal not in a hundred
lifetimes but now, get on the super highway. TM is just the vehicle,
the technique, like the airplane that takes you there, but the
experience is what does everything, this state of calm awakening.
Transcendental Meditation was developed and introduced to the
Western World by Maharishi Mahesh Yogi in the 50’s. Did you ever
meet him?
I met him many times. But you don’t need to meet Maharishi. You need
that teaching, that technique. You don’t add anything to it, you
don’t take anything away from it. You just do it twice a day. It is
very easy and effortless. The mantra turns the mind within, and once
it is turned, it automatically dives into that unbounded, pure ocean
of consciousness that is called the Atma in Sanskrit…
…the Self…
…yourself, myself and the Self of us all. Maharishi also calls it
the unified field, the energetic field of all existence. It is your
birth right to enjoy supreme enlightenment. It is your potential.
And that is what education should do. Maharishi says, education
should bring out the full potential of each student. But education
today doesn’t do anything. It just teaches you how to be a slave.
And kids are filled with all these frustrations and
sadness and anxieties, and come from school just into another kind
of rat race.
That is why you created the David Lynch Foundation for
Consciousness-Based Education and World Peace? You want to introduce
TM in all the schools around the United States?
Our mission is to raise 7 billion dollars to allow any student, who
wants to learn TM, start learning how to dive within and get on the
fast track to enjoying life. Consciousness-Based Education is what
education is supposed to be, to develop the full potential of the
individual. Stress is killing so many students. And this blows the
stress away. It sounds so goofy. But it’s really pretty thrilling.
You have been mediating for 32 years in privacy. What made you
decide to go public now?
One of the things I liked about TM was that you learn this
technique; you add it to your life and go about your business. You
don’t join up with anything. And also this is a funny world. When
people hear, oh you’re a meditator, oh, you’re with Maharishi, they
start looking at your films that way. I just wanted to keep it
quiet. But now the world is changing. There are so many problems
like these kids that are stressed just about the time they get out
of the crib. There are all these different learning disorders that I
had never even heard about. There’s a whole mess going on. And
what’s her name? Reese Witherspoon wins this thing…
…an Oscar…
…and wants world peace and everybody gets a big laugh. World peace.
Everybody wants world peace. Nobody believes that there can be world
peace. It’s a nice idea. Like a sweet little old lady idea. It’s
meaningless. It’s never gonna happen. And we live in this hellhole.
And we think it’s gotta be this way. And there’s a lot of suffering
everywhere. And this peace isn’t a stupid thing. It’s not like a
doily, it is not a doily. And Maharishi has this plan. It’s a
science and a technology for peace. Based on Vedic Science. Peace
isn’t just the absence of war. Peace is the absence of negativity.
You are referring to the peace creating groups that are now being
set up around the world. They say, when one percent of the
population is meditating the whole country will be effected. Crimes
decrease. Harmony increases. Do you think mediation can bring peace
faster than activism?
Well, you know, everybody should do, what they believe in, but if
you wanna change something – you know, well meaning people are out
there 24-7 trying to do this, trying to do that. And the analogy is
this: you got a tree and it’s not doing too well and the leaves are
turning yellow or brown. So you got a whole bunch of well wishers up
in the tree figuring out a way to get a little nutrient to this leaf
to change it from yellow back to green. Leaf by leaf. This leaf has
to do with AIDS; this leaf has to do with Africa or with Iraq. Or
six or seven little “bird flu-leaves” that are going funny. But it’s
all on the surface. And as Maharishi says: the experienced gardener
comes in and waters the root and automatically the whole tree comes
up to perfection. Watering the root is enlivening that unified
field. And thank goodness, quantum physicists have now gotten to the
point where what they’re saying marries with what Vedic science has
always been saying. And it’s not a joke. It’s not like a new fad.
The technologies have been there. It’s not something we learn about
in school, so we think it’s boloney. What we’re learning in school,
we’ll find out is mostly boloney. Not good baloney, ‘cause I like
baloney. This will do it. The light will go on some day. And people
will say, wait a minute. What are we doing, when we go over and kill
people in the name of peace? Blow their heads off. That’s not a
movie. That’s really going on. Blow their heads off. True genuine,
rotten boloney that is. Good night, Louise.
Is Transcendental Meditation for you a religious substitute?
Now it’s not a religion. Now I was a Presbyterian. My parents wanted
me to go to Sunday school. So I went to Sunday school. And around
14, I didn’t see the result. I saw people living one way on Sunday
and a different way the rest of the week. And I wasn’t getting what
I thought I wanted and I asked to not go anymore. And bless my
fathers heart, he said, you don’t have to go to church anymore until
you want to go.
But people who are religious meditate, all religions. It doesn’t
matter. And the really religious people that meditate say, they get
more understanding from their religion, more appreciation. In my
mind anyway, all religions are rivers flowing to the one ocean. And
I’m diving in there in my way and I’m getting wet with that and I
like that!
I once read in an interview of yours that you said: “I don’t think
people accept the fact that life doesn’t make sense. I think it
makes people terribly uncomfortable. It seems like religion and myth
were invented against that, trying to make sense out of it.”
I don’t even remember what I said.
It seems like you try to say that people are a afraid to accept the
fact that life doesn’t make sense.
But it does make sense! Maybe not in the way they think. But it
begins to make more and more sense.
But you like the mystery of life, exploring the unknown, so how do
you combine that with living after principles that give all the
answers?
The mystery of life is very beautiful. But mysteries are meant to be
solved. And as I say, we are like detectives. Whenever there’s
darkness the mind gets kicked in, and we wonder what’s there. And we
look here and we find a clue and we look there and we find a clue.
And it all kind of feels like there’s more than meets the eye. And
instead of it being frightening, it’s sort of thrilling. Then you
find something that begins to open up the pictures. Get the bigger
and bigger picture. Deeper and deeper understanding. More and more
bliss. And it just starts unfolding when you turn the mind within.
Now you could say, well I love mystery so much, I don’t wanna know.
But to me that would be pretty stupid. Because if you don’t dive
within, then you remain pretty much the same, you don’t expand, you
don’t grow.
But how can a free spirit like you support a movement that gives
guidelines? For example, one cannot smoke on the University campus.
Boys and girls study separately…
I smoke. And I don’t like laws. But I am not stupid either. And
there are some laws where you say, ok let’s get in tune with these.
Like when you fight Mother Nature. It comes back and bites you. Take
Vedic architecture…
…the doors of the houses must face east, there must be light coming
in from the ceiling…
…you walk into a house and things just go better. My friend Howard
built a Sthapatya Veda house. At the housewarming party he sees a
man lying on the sofa, crying! A man crying in his palace of
happiness! He asks him, what’s wrong? The man says, I am not crying
out of sadness. I suffer from a certain disease and when I came in
all the symptoms lifted. I am crying with happiness.
You talk about eternal bliss but your films have a very dark sense
of humor and show more suffering than happiness.
You don’t have to suffer to show suffering. You can know things and
you can understand things. Stories are always gonna have conflict,
but you’re back here and you should enjoy your life. So many people
do things for the end result, but don’t necessarily enjoy the doing.
But when the bliss comes up, you really start enjoying the doing.
That’s your life going by. It’s not some feel good class. Making
movies is good. Singing is good. But singing is only a momentary
bliss, to really have it grow from the inside, that's really real.
When you meet a person two years after they’ve been doing TM they’re
different, they’re glowing. They throw off that negative blanket,
which I call the suffocating Clown suit of negativity and that
rubber stinks, it really stinks. You really realize how stinky it is
when it starts to go.
Do you get ideas for your films while meditating?
I must say for Mulholland Drive the ending, the middle, the
beginning came like a string of pearls during my mediation one
evening. And it solved many many problems for making an open ended
TV show into a completed feature film. But normally the fuel for my
inspiration is taking walks or listening to music.
Music?
Film is like music. A painting stands still. In film there’s this
thing called time added to it. And it is beautiful. How it flows.
These sequences. This flow. I was working on the Elephant man. It
was a Sunday afternoon and I was lying on my couch. I heard this
adagio for strings. It washed over me. It was just so unbelievable
beautiful and so perfect for the ending of the film. And I called
Samuel Sanger and I said, we gotta get this adagio for strings. He
went out and bought nine different versions, ‘cause I didn’t know
which version I had heard. I listened to all of them and none of
them were doing it for me. Finally he found Andre Previn’s version
of adagio for strings. The same notes, the same orchestration, but
completely different feeling. So it’s how you move through time, one
thing is first and then another is second and it’s how they go
together, that’s cinema. It is so much like music. How and when the
clarinet emerges, what it does and how it dies away. Cinema is like
that. And time can be your friend, but it can also be your enemy.
And if things aren’t working and you are with the audience, you die
the death.
This new film Inland Empire that you just made…
I am making!
Oh, you are making?
Oh yeah.
What it is about?
I can only say it is about a woman in trouble.
Does the title refer to the Inland part of Los Angeles?
I love Los Angeles. A lot of people go to LA and they see just a
huge sprawl of sameness. But – and that’s maybe true for every place
– when you’re there for a while, you realize that each section has
its own mood. The golden age of cinema is still alive there. The
smell of jasmine at night and this light. The light of LA is so
beautiful and inspiring. It was the light that brought everybody
there in the first place. But I was talking to Laura Dern and her
husband Ben Harper is from the Inland Empire. I don’t know when it
popped up. But I said, that is the title of my next film, which I
knew nothing about at the time and still don’t know a whole lot
about. So I wanted to call it Inland Empire. And my parents have a
log cabin up in Montana. My brother was cleaning up there one day
and found a scrapbook behind a dresser. He sent it to me, because it
was my little scrapbook from when I was five years old. I opened it
up and the first picture in the scrapbook is an area view of Spokane
and underneath it says: Inland Empire. So I figured I was on the
right track. But I guess there are several Inland Empires.
Did you know already know as a little boy that you wanted to become
an artist?
I was drawing as a little kid. But where I grew up in the Northwest
of this country, I always thought, you stop drawing when you become
an adult. I didn’t know any adults, who painted and I thought it was
an impossibility. My father was transferred to the East Coast,
Washington, DC, and I went to high school there. And in 1960 I was
in the front yard of my girlfriends house and I met my now long time
friend Toby Keeler, who was, I didn’t know it then, in the process
of stealing my girlfriend. But I sure forgive Toby, because she
wasn’t that hot. And on that front lawn, Toby told me that his
father was a painter. And at first I thought he was a house painter.
But Toby went on to explain. There are certain turning points in our
lives and this was surly one of them. I knew I wanted to be a
painter.
And what drew you from painting to film?
I didn’t have interest in film. I wanted to be a painter and I
painted. I went to art school. I had a little studio. I was doing a
painting of a garden at night, so most of the painting was black and
there were some little green things. I looked at the painting and it
started to move, and I heard a wind, and I was not taking drugs and
I thought that’s really interesting. At the end of each year the
academy had an experimental painting and sculpture contest. This
time I thought, I am gonna make a moving painting. And I built a
sculptured screen 6 foot by 8 foot and I did a crudely animated
motion thing and projected it. I thought that was gonna be it,
‘cause this thing cost a fortune, it cost me 200 dollars. I thought
I can’t afford to go down this road. But an older student saw it and
commissioned me to build one for his home. And that was what got the
ball rolling.
What fascinates you in your work?
I love seeing when people come out of darkness.
Marie Pohl interviewed David Lynch at Maharishi University of
Management, Iowa, USA, for the Sueddeutsche Zeitung am Wochendende,
Germany's prominent national daily news paper. The interview was
published in German language on May 13 -14, 2006.
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